If identification is to go anywhere, it has to be with this material aspect of the image, with the image as thing, not as representation. And then it perhaps ceases to be identification, and instead becomes participation. Hito Seteryl, “A Thing Like You and Me”, The Wretched of the Screen, edited by Franco Berardi, Sternberg Press, 2012. Last updated by Hua Shu, August, 8, 2018