Perhaps the best argument for the authenticity of
The Navidson Record
does not come from film critics, university scholars, or festival panel members but rather from the I.R.S. Even a cursory glance at Will Navidson's tax statements or for that matter Karen's, Tom's or Billy Reston's, proves the impossibility of digitial manipulation.
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They just never had enough money.
Sonny Beauregard conservatively estimates the special effects in
The Navidson Record
would cost a minimum of six and a half million dollars. Taking into account the total received for the Guggenheim Fellowship, the NEA Grant, everyone's credit limit on Visa, Mastercard, Amex etc. etc., not to mention savings and equity, Navidson comes up five and a half million dollars short. Beauregard again: "Considering the cost of special effects these days, it is inconceivable how Navidson could have created this house."
148
Strangely then, the best argument for fact is the absolute unaffordability of fiction. Thus it would appear the ghost haunting
The Navidson Record
, continually bashing against the door, is none other than the recurring threat of its own reality.
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